Tuesday, August 30, 2011

rooted. PART II

Yesterday I wrote this:
At our foundation we are rooted as a new creation, yet we resist things newly creative...

Today I'd like to focus on the resistance to change that is pervasive in our culture, and how that resistance speaks volumes to the disbelief and unwillingness to participate as individuals and communities named: new creation.

Think about our music industry...it puts out what can sell, which is rarely (if ever) blowing people away with its creativity. Instead what is considered "mainstream" is easy to get into and participate in, because it requires very little imagination. Its 3 1/2 minutes of 3 or 4 chords in the format of verse, chorus, verse, chorus, bridge, solo, chorus. Those outside the mainstream are the ones taking risks (often times at the cost of their overall success). Often times you'll see a band from outside the mainstream water down their creativity, only to be bought up by the masses. However, what was lost was that unique creative, change, of art.

In technology and fashion we have what's called: innovators, early adopters, early majority, late majority, and laggards. This is the practice of examining the pace at which things newly creative are adopted and used by the public. But the general public is slow. There is a very small minority of individuals that fall into the first 2 categories.

Change is uncomfortable. But why?

I believe it is because we don't truly believe the idea that we are rooted as new creation. Other wise, creating and adopting change would be the standard - it would be the common thread that unites us.

In politics, we play the game of one step forward and two steps back. When things are unclear and uncomfortable change is proposed, the opposition rebuts, "we need a return to _________ politics" (fill in the blank with what ever political predecessor you like).

In film and tv, it seems like the remake is king these days. In an industry filled with some of the most creative people out there, we have allowed the general public (resistance to change) dictate the art that is out there.

Within the church, change is even more scarce. The people gathered together to proclaim themselves rooted as a new creation, are sadly some of the most resistant to change and experience things newly creative.

How is this possible?

Because we say this truth without even considering its implications, and without ever considering living it and expressing it in our own lives.

If we truly believe that we are new creations, created in the image of God, with the unique ability to create, how is it we seem to resist it at every level?

More tomorrow...

Peace,
Ross

Monday, August 29, 2011

rooted


At our foundation we are rooted as a new creation, yet we resist things newly creative...

Saturday, August 27, 2011

Created To...

Here's something I couldn't help but share...yet another example of people living EXACTLY as they were uniquely created to live...



Peace,
Ross

Thursday, August 25, 2011

Bye Bye Steve


Steve Jobs stepped down yesterday as CEO of Apple. So I thought it only appropriate to thank him for his enormous contribution to the music industry and overall artistry.

That's right, the music industry.

iTunes changed EVERYTHING!
The labels didn't (and still don't) know how to work like they did before the days of iTunes.

But what I want to focus on is how iTunes made us better song writers and producers.
Or it at least forced our hands...

Before iTunes, in the day and age when we went to the record store to buy a physical CD, (most albums) would have 2-3 top notch songs and the rest was mediocre and/or filler tunes.
*[there are VERY FEW albums that I listen to straight through without skipping a track or two]

iTunes essentially made every song a single. That's how we purchase them now. Filler tunes now will be unheard songs, and potentially millions of 99 cent downloads lost. And since consumer is still king (even Jobs can't change that), our song writing has been forced to put out an album of potential singles.

Jobs forced the hands of the artists to forget about the track 4 and 5, 11 and 12 that served to fill time and space (a lot of the time).

So Mr. Jobs, thanks for your contribution to the music industry, to artists, and to me personally.

Peace,
Ross

Tuesday, August 23, 2011

what's going on.


Its been a while since we've just chatted.
Not about a specific subject, but just about what's going on...

Last Thursday I did a photo shoot for an upcoming #SongsForJoplin showcase in LA (that's what the pic is from)

Last Friday morning I had a dentist appointment.
No cavities.
30 years and I'm still cavity free. Woot!

After that however, I went to the doctor to get my throat looked at.
I'd had a really sore throat for about a week and it was difficult to swallow; much less eat and sing.
I thought maybe I had strep.
Well, I didn't have strep...I had 9 ulcers in my throat.
So that's nice :-(

Oh, and how do they treat throat ulcers?
With steroids.
SO NOW I HAVE THE RAGE!!!!

I'm also wrapping up a recording/producing project with a talented up-and-coming singer/songwriter (i'll post a song later).
And tonight I started a new recording/producing job with a great country band, Harmony Grove.

Oh yeah, Kate and I also got memberships to the YMCA.
So that's about it. We're on the road to buff-ness.

I hope everyone is great!

Peace,
Ross

Monday, August 22, 2011

Too Big, Too Fast...


Cora's growing up.
She's getting too big, too fast.

This week we enrolled her in several activities for the fall:
dance, soccer, & violin.

Today its these 3, tomorrow we'll be picking majors and filing out scholarship forms :-(

Peace,
Ross

Sunday, August 21, 2011

Church Bell Calls


CHURCH BELL CALLS
(c) 2010 Ross Christopher

We've trained our lives
To be in the cast
To perfect the character's role
We know the lines and staging calls
For the one hour play

The church bell calls
The actors guild
The theatre fills its pews
Week after week
A casting calls
And we don't give a damn

Onto makeup and wardrobe
Our masks are sealed
The lights have all gone down
The theatre sits silent, still
'Till the lights come up
And we take our seats

The church bell calls
The actors guild
The theatre fills its pews
Week after week
A casting calls
And we don't give a damn

Stand and sit
Emotionless
Smile and nod
It's in the script
Memorize and recite
Its just what we do
It's what we've always done

The church bell calls
The actors guild
The theatre fills its pews
Week after week
A casting calls
And we don't give a damn